Musing

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80 Year-Old Lindsay: a source of courage

80 Year-Old Lindsay: a source of courage

My granny in her 80s.The summer I turned 14 a neighbour gave me my first job. She started up a day camp for seniors—gathering up folk from retirement residences in a school bus and bringing them to a park for the day. My job was to set up a miniature golf course every...

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Start a big foolish project

Start a big foolish project

Every painting is a failure While I’m not an angsty tortured artist who destroys all their work, it is true that I’m never satisfied. I don’t experience this as a negative. My dissatisfaction actually excites me. It’s my fuel, the engine that drives me forward. I...

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Nature is a dirty word: on language and belonging

Nature is a dirty word: on language and belonging

“Nature is not a place to visit. It is home,” Gary Snyder There are two words I find tricky to use when writing about my work—nature and landscape. Let’s start with nature The assumptions baked into our language around the natural world make me uneasy. There’s...

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Power’s Out: 10 days of different

Power’s Out: 10 days of different

At the end of March the area I live in was hit hard by an ice storm. Over a million people lost power. Many were restored in a day or two. We were out for 10 days. No power, no running water. Sounds terrible, but we coped. We collected rainwater to fill our toilets....

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Adventures in Colour: dyeing & density

Adventures in Colour: dyeing & density

My first dyeing experimentFirst the dyeing I hadn’t dyed anything since I tie-dyed a shirt at daycamp. But as I started scaling up my liquid acrylic experiments I wondered if dyeing could help. I love the colour harmonies I get when I use a coloured background. Lots...

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Trying something new: reluctantly then enthusiastically

Trying something new: reluctantly then enthusiastically

Things are a bit different around here these days. For the past couple of months I’ve been experimenting with liquid acrylics and raw canvas. This wasn’t something I particularly wanted to try. It was a technique someone suggested because it lends itself to my...

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Doubt: maybe it’s helpful, essential even

Doubt: maybe it’s helpful, essential even

workbench in my studio Last month’s blog post I made it all sound so easy and inevitable—how I’d bring an earthiness or groundedness into my work. I just reread that post and it made me laugh. It’s so neat and linear and upbeat. Right now upbeat is not the prevailing...

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Dreaming of Mud: how I start new work

Dreaming of Mud: how I start new work

detail from Earth Star, mixed media collage As soon as one group of paintings are done I start wondering what’s next. Lately I find myself wishing for more earth, more grit into my work. This is an idea that comes from analysis, critique (by myself and others), and an...

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